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Cowboy Schreck

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Thankfully, this elaborate event has been recreated to a certain degree today. Austin, Texas, hosts an annual Nosferatu Festival , inviting fans from all over the world to travel to America's "City of Bats" and celebrate all things vampiric.

Given the climate of anti-Semitism in Europe during the first third of the 20th century, it's unsurprising to learn that many saw Nosferatu as an inherently anti-Semitic film.

Jews had for some time been cast as blood-drinking witches by anti-Semites, and the similarities between the vampire Graf Orlok and contemporary stereotypes of Judaism — the long nose, rat-like features, and hunger for innocent Germanic women — lent the movie a bigoted undertone.

One member of the audience at Nosferatu 's premiere leaped on this concept: Julius Streicher, who would become chief editor of Hitler's antisemitic newspaper Der Stürmer.

Later on, in the pages of Der Stürmer, Streicher would repeatedly use art and prose to conflate Jews with vampires, making Jewish people out to be rat-faced, bloodthirsty plague-spreaders.

While it has since been noted that F. Murnau was friendly with many Jewish people in the film industry, the feeling that Nosferatu was made to stoke the fear of the universal Other — a claim often made about Dracula as well — remains to this day.

Nosferatu was a direct adaptation of Bram Stoker's novel Dracula, with names and references changed to avoid a copyright infringement lawsuit.

Unfortunately, the makers of the film weren't ready for the sheer tenacity of the enemy they had made: Florence Balcombe, Stoker's widow.

According to David J. Skal's book Hollywood Gothic : The Tangled Web of Dracula From Novel To Stage and Screen , Balcombe was an "English rose"-style beauty who'd once been courted by influential public figures such as Oscar Wilde.

After her husband's death, her only real source of income was the royalties from Dracula , his one truly successful book. When she discovered that Grau and Murnau had made the film, she demanded financial compensation — when they dodged this, she demanded that all copies of their film be destroyed.

Despite Nosferatu's producers doing their best to avoid Balcombe's wrath, Stoker's widow won. The German courts ordered all prints and negatives of Nosferatu to be burned, in one of the first cases of capital punishment being waged against a film.

However, by then, copies of the movie had been distributed throughout the world, and as one can guess, the fact that Nosferatu is such an iconic film means that it was not entirely lost.

Though Nosferatu is considered a cinematic milestone today, at the time, it was a risky moneymaking venture that had cost a ton to promote.

When Bram Stoker's widow decided to take legal action against Prana Film, producer Albin Grau had only a few options when it came to avoiding lawsuits.

So he chose one of the extreme ones — and declared bankruptcy. Prana Film's finances had always been precarious, but the threat of litigation — and one with actual merit behind it, given Grau's decision to simply make Dracula with the names changed — would have been too much for the production company to bear.

According to ScreenPrism , Grau's declaration of bankruptcy made Nosferatu the only feature Prana Film would ever make. Meanwhile, TCM says that Grau sold the movie to Deutsche Film Produktion in order to immediately distance himself from the production.

Even after Stoker's widow ordered Nosferatu destroyed, the film managed to live on. By that time, copies of the movie had been sent to theaters around the world.

Meanwhile, TCM notes that after Grau sold the film to Deutsch Film Produktion, the company edited it without Murnau's permission.

The result is that many of the copies of Nosferatu that survived were incomplete, re-edited, or had their title cards changed, so every version of the film is different.

As reported by Fictosphere , one such unique copy was The Twelfth Hour: A Night Of Horror , a sound version of the film released in by Deutsche Film Produktion.

Featuring new scenes, a different ending, the inclusion of footage that didn't make the original film, and even a different actor playing the vampire in similar makeup, The Twelfth Hour was shown in theaters and on television around the world but is now difficult to find and stands as a testament to how original movies were recut and re-released before the art form was commonplace.

Interestingly enough, even Bram Stoker's widow couldn't kill the vampire after she'd ordered it burned.

Skal's Hollywood Gothic , shortly after she'd won her case against Nosferatu , Florence Balcombe received an invitation to a private film society screening — of F.

Murnau's Dracula. At the end of the day, the most iconic depiction of Dracula will always be Bela Lugosi in Todd Browning's film by Universal — the cape, the widow's peak, the thick Eastern European accent.

And yet, for many film critics, Nosferatu 's ugly, ethereal depiction of the vampire makes it a superior film to its latter-day, properly licensed descendants.

In fact, renowned film critic Roger Ebert gave the movie four out of four stars, saying on his website , "To watch F.

Murnau's Nosferatu is to see the vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in cliches, jokes, TV skits, cartoons, and more than 30 other films.

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Cowboy Schreck
Cowboy Schreck

Cowboy Schreck
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